“I appreciate playing with materials,” claims Jenna Lyons, the New York-dependent vogue designer, design icon, and television personality. As the longtime innovative power at the rear of J.Crew, she made her name placing quirky-awesome twists on preppy classics, layering chunky necklaces and sweatshirts with outsized blazers and pairing denim button-downs with, well, basically anything—even eveningwear. On our latest Zoom simply call, she wore a traditional striped oxford and a navy trucker hat emblazoned with the Roll & Hill symbol, a clue to her most recent undertaking: a debut assortment of home furnishings with the strike Brooklyn manufacturer.
Immediately after decorating her personal trendsetting homes—the Park Slope brownstone, the SoHo loft—and overseeing the visual identity for innumerable stores, home furnishings was a natural pivot. “Design, for me, has always been about solving a problem,” she clarifies, posing the problem “What do I want?” Her new line demonstrates the running listing she’s been retaining above the several years. A table lamp combines a mushroom-like glass shade with a tough-to-find brass foundation. (Most, she attests, are chrome.) Her spin on the Louis XIV dining chair is cozy but dainty, with a gracious scale, leather-based upholstery, and slender-but-not-scrawny legs. Meanwhile, a wood cocktail desk and nightstand (they’re out there in oak or walnut) deliver components of shock: Discreet cabinets of unlacquered brass swing out from under the desk, presenting spots to set a drink. “Like earrings,” she remarks of the delicate bling.
Accessible now, all the household furniture parts are produced in Grand Rapids, Michigan, at the sprawling 40,000-sq.-foot factory Roll & Hill procured in February 2020. (Very best known for lighting with the likes of Lindsey Adelman, Ladies & Gentlemen Studio, and Philippe Malouin, the organization officially expanded into home furniture this previous spring.) Not unlike Lyons’s fashions, Roll & Hill founder Jason Miller notes, the furnishings “are incredibly standard forms, but they feel very modern.” Lyons, who enrolled in a woodworking course to get ready for the collaboration, likens the method to updating a traditional jean jacket. “I’m not heading to reinvent the table,” she claims. “Instead, it is about inquiring, what should really that appear like now?” rollandhill.com